Britt Breu

Britt Writes on Craft: "From Sheep to Skein", Knitting, February 2009

2009-02-03T04:00:00.001-08:00

The feature article "From Sheep to Skein" appeared in the February 2009 issue of Knitting, a British needlecraft magazine.

The article concentrates on how wool is processed into attractive balls of knitting yarn.

Britt researched the story and sourced the photos with the assistance of the British Wool Marketing Board. To review a copy, please follow the title link.

Britt Writes on Art: "Not Another Nostalgic Look at Hippies- Black Panther: Emory Douglas and the Art of Revolution, Urbis, Manchester", Hive Blog

2009-02-03T03:59:00.000-08:00

The blog post, "Not Another Nostalgic Look at Hippies - Black Panther: Emory Douglas and the Art of Revolution, Urbis, Manchester", is a review of a current exhibition being held at Urbis in Manchester city centre.

The post appeared in February 2009 in Hive, the blog for the Manchester arts and cultural magazine of the same name.

Britt Writes on Craft: "Fibre + Clay: More Than Just a Yarn Store", Knitting, January 2009

2009-01-05T08:18:00.000-08:00

The article, "Fibre + Clay: More Than Just a Yarn Store", was written for the January 2009 issue of Knitting.

This feature explores England's only ceramics gallery and knit studio, Fibre + Clay, in Knutsford, Cheshire.

Britt's own photographs accompany the article. Please follow the title link to view a copy of this article.

Britt Writes on Art:"Exhibition Review: Putting on the Glitz at the Whitworth Art Gallery, Manchester", Hive Magazine Blog

2008-12-31T11:00:00.000-08:00

The exhibition review, "Putting on the Glitz at the Whitworth Art Gallery, Manchester", was written for the Manchester arts and culture magazine blog, HIVE.

The blog post examines a current exhibition, Putting on the Glitz, featuring luxury wallpapers and coverings at

University of Manchester's Whitworth Art Gallery.

Britt Writes On Travel: "Must-See Mackintosh Attractions in Glasgow"

2008-09-17T02:36:00.000-07:00

The article, "Must-See Mackintosh Attractions in Glasgow", was written as a post for Venere Travel Blog which a promotional arm of Venere.com, an accomodation reservations website and market leader founded in Rome in 1995.

Preparation for this article was done in August 2008 while Britt spent time traveling and researching various areas of interest in Scotland.

Britt Writes On Craft: "Knit a Difference - A DIY Guide to Starting Your Own Charity Knitting Project"

2008-08-19T08:27:00.000-07:00

The article, "Knit a Difference : A DIY Guide to Starting Your Own Charity Knitting Project", was written for the Fall 2008 edition of the knitting e-zine Knitty.com.

Britt laid the groundwork for this article in leading a winter clothing and toiletry drive for WISH, a shelter reaching out to the high-risk population of female sex-trade workers living on the streets of Vancouver, BC's downtown Eastside.

Applying her passion for the craft of knitting to that experience, she decided to write an article which empowers others to use their passion for knitting to reach out to members of their own communities. In the article, Britt relates advice from charity knitting project mavens at afghans for Afghans, Mother Bear Project and Warm Up ! America. She sincerely thanks Ann Rubin, Amy Berman and Mary Colucci for their contribution in empowering others to make a contribution in their own communities.

Britt Writes On Travel: "How to Enjoy Edinburgh Fringe"

2008-08-19T08:18:00.000-07:00

The article, "How to Enjoy Edinburgh Fringe", was written as a post for Venere Travel Blog which a promotional arm of Venere.com, Italy-based accomodation reservations website and market leader founded in Rome in 1995.

Preparation for this article was done in August 2008 while Britt spent time traveling and researching various areas of interest in Scotland.

Britt Writes On Food: A Guide to German Wine

2008-07-28T07:47:00.000-07:00

The article, "A Guide to German Wine" was written as a post for Venere Travel Blog which a promotional arm of Venere.com, an Italy-based accomodation reservations website and market leader founded in Rome in 1995. The article first appeared on 27 July 2008.

Preparation for this article was grounded upon the experiences Britt had during the near decade she spent living and working in Mainz, Germany. The article reviews the basics of understanding German wine classifications and terminology associated with wine and its classification.

Britt Writes Copy: Online Content and SEO

2008-07-11T07:48:00.001-07:00

Britt has also generated SEO-focused online content for marketing firms. Topics range greatly based on the needs of individual clients.

Britt Writes on Travel: "The Best of Summer: German Wine Festivals"

2008-07-10T02:40:00.001-07:00

The article, "The Best of Summer: German Wine Festivals" was written as a post for Venere Travel Blog which a promotional arm of Venere.com, an Italy-based accomodation reservations website and market leader founded in Rome in 1995.

Preparation for this article was grounded upon the experiences Britt had during the near decade she spent living and working in Mainz, Germany. It highlights the cultural and culinary offerings of three major wine festivals taking place annually in Mainz, Stuttgart and Frankfurt.

Britt Writes On Language - False Friends: A Common Pitfall for Language Learners

2008-06-30T03:17:00.000-07:00

False Friends

This article was written for Webooks.co.uk, a British e-book publishing house specializing in factual, DIY-style guides on a variety of topics including business, education, travel and lifestyle.

"False Friends: A Common Pitfall for Language Learners" discusses the dangers of using false friends when learning a foreign language.

This article will be going live shortly at the Webooks.co.uk website. The link will be added here as soon as it goes live.

Britt Writes On Culture: 'A Proper Holiday': Vacationing in the USA

2008-06-30T03:12:00.000-07:00

This article was written for Webooks.co.uk, a British e-book publishing house specializing in factual, DIY-style guides on a variety of topics including business, education, travel and lifestyle.

"A Proper Holiday: Vacationing in the USA" looks at how American attitudes differs from their British counterparts when it comes to leisure travel and the geographic, economic and cultural explanations for these differences.

Britt Writes On Art: Patronage, Portraiture, and Personality: The Life of Leonardo da Vinci and the Mona Lisa

2008-05-29T09:39:00.001-07:00

This article was published by Yakima Valley Community College's Mainsprings, an annual collection of outstanding student works nominated by professors, in 1996.

Spanning almost fifty years as an accomplished artist, the portraiture of Leonardo da Vinci is only one small aspect of the man's genius and unquenchable thirst for knowledge. He worked not only as an artist, but also as an engineer, architect, machinist, hydraulicist, astronomer, geologist, mathematician, physicist, botanist, and optician – if not more. Da Vinci is not only considered one of the most important Renaissance artists, but possibly one of the greatest minds known to man. His most famous works, such as The Last Super and The Mona Lisa, have become icons of popular culture. Most Americans can more easily identify the title and artist of these paintings done over half a millennium ago than the capital city of Nevada (Carson City).

Leonardo da Vinci was born in the village of Anchiano on the outskirts of the tiny town of Vinci in 1452. His father was San Piero, a successful notary, and his mother was a peasant woman named Caterina, about whom little is known. At five years old, he went to live with his Father who had since married Ajbiera Amadori. She died when Leonardo was five. After his second wife's death, Piero moved his son to Florence and apprenticed him to Andrea Verrochio. Verrochio was considered one of the premier artists of his time. His studio helped shape the talents of artists including Botticelli and Perugino, both of whom have been immortalized for their later works.

In August of 1473, Leonardo left his master's shop and joined Florence's artist guild, the corporation of San Luca. In 1482, he moved to Milan where he offered his services to Ludovico il Moro. He stayed in the city of Milan until going to the Sforza castle in 1490. From then on, Leonardo did a series of "odd jobs" such as painting The Last Super and Cecelia Gallerina (commonly known as "Lady with an Ermine"). In 1499, he left the area if Milan due to the invasion of Louis XII and returned to Florence. He there was commissioned, most likely by a prominent citizen of Florence, Francisco del Giocondo. He asked Leonardo to paint his young second wife, Lisa. This "odd job" between his stays in Milan would later on make him a permanent and influential historical figure.

Description

The Mona Lisa stands at 38 ¼ by 21 inches. Howerver, it was originally larger; the horizontal rectangle was cut at the top where a half circle was. This was done by the French to fit in a particular frame. Itg is a picture of (what looks like) a woman sittingon a porch or verandah looking through a window frame. The woman wears a very simple dress and scarf over her left shoulder. Her medium length dark hair is covered with the sheer black scarf and she has no shown eyebrows. She is shown with her left arm resting on the chair, folded under her right. She is shown from the waist up in front of an almost surreal background of crags, rocks, a road over her right shoulder and what looks to be a river.

Formal Characteristics

The style of the painting is of the High Renaissance because it demonstrates the atmosphere of perfect calm held ideal in the Renaissance. The piece dates between three years, 1503 to 1506. It is currently located at the Louvre in Paris, France.

Like many other artists in the Renaissance, da Vinci believed in geometrical composition for planning his paintings. The Mona Lisa was planned with the shape of a truncated cone. For descriptive purposes, her shape is that of a megaphone. The top of the woman's head constitutes the opening with the walls horizontally and outward, gradually increasing in width. The curved shape of the woman's arms form the rounded bottom. The color of The Mona Lisa has changed since Leonardo's time. Due to numerous restorations and general aging, we are left with the basic undertones of yellow and green. The Gioconda (as she is sometimes called) is the main focus of the painting and retains some balance in itself. The background, however, is not perfectly balanced. On her right, the river and road awkwardly counterbalance mountains and a bridge. Hartt describes the repetition of shape in both the subject and landscape:

…motif after motif is continuous in figure and landscape. The locks of hair falling over the subject's right shoulder blend with rocky outcroppings through which a road winds, the translucent folds of the linen scarf over the left shoulder are continued in the line of a distant bridge".

Analysis and Interpretation

Lisa di Antonio Maria Gheradini, the woman most likely shown, was in her mid-twenties and not to be considered good looking even by the standards of her time. The characteristic lack of eyebrows can be interpreted as the then fashionable look achieved by shaving the eyebrows, which was popular for women in Renaissance times. Her representation of absolute simplicity is culturally significant. Unlike many portraits of the time, there is an absence of elaborate clothing, jewelry, and hairstyle/headdress. Her waist-up pose is also cited as culturally impacting. Hartt comments on her waist-up view as:

"Not just a bust, but the whole women sits there, majestic as in a full length portrait. This is a wholly new format, and was followed almost without exception in Italian portraiture – and indeed northern Europe as well…through the nineteenth century. The result, Leonardo's invention, is that the subject looks larger and grander in Quattrocento portraits, in keeping with the new dignity of High Renaissance ideal of human experience."

Her smile has been described as "enigmatic". The overall expression on her face alludes to the fact of inner content or possibly even an aristocratic attitude. There are two suggestions about this. The first, as suggested by many modern art historians, is that the Mona Lisa has a smile that reflects the attitude of the time – more efficiently described as sprezzatura. This word is untranslatable from Italian, but is literally the air of aristocracy. The second was suggested by French art historian Jacques Franck. He contends that the damage to the painting, such as the cracking around the eyes and mouth, have changed the expression of the woman in the painting. These cracks are only visible close up, but he notes the particular vulnerability of the piece due to Leonardo's technique of "minute tonal shifts, modeling and shading". Franck also suggests that da Vinci originally gave her a calmer, more serene look that has changed due to this barely visible damage.

The background of the Mona Lisa has also been highly interpreted. Most scholars believe that this was a fantasy landscape da Vinci created and thereby sparked a movement of surrealism. In one text, "Treatise on Painting", cited by Bortolon, Leonardo comments on the background:

You may see in those stains the images of various landscapes, outlines of mountains, rivers, crags, trees, plains, manifold valleys, and hills; you may also see in them battles and lively gestures, strange figures, a quick play of human faces, apparel and a thousand things that you will reduce to good and integrated form.

On the other hand, two amateur sleuths may have discovered the actual location of the landscape elements. Carlo Starnazzi, a paleontologist at the University of Florence, claims that the lake on the left is Lake Chiana; the winding road is actually a canal that links the lake to the Arno River. These all lie in the area of eastern Tuscany, 40 miles from the city of Florence, an area which Leonardo knew intimately.

Historical Significance

This piece was commissioned by an affluent Florentine citizen, Francesco del Giocondo. It has been hinted that there could be other possibilities for its commission. Bortolon suggests that it may also be Constanza d'Avalos, the Duchess of Francavilla and mistress to Giuliano d'Medici, who had Leonardo keep the piece so his new bride would not be made aware of his other lover. It could possibly even be a man in disguise. Despite its questionable identity, the Mona Lisa has had a very adventurous historical life. After da Vinci's death, it was purchased for 4,000 ducats by Francis I of France and placed in the royal collection at Fontainbleau. During the reign of the avid art collector and King of England, Charles I, he asked for the hand of Henrietta of France and the painting as part of her dowry. The French politely declined. On August 21, 1911, an obscure mason from Italy, Vincenzo Peruggia, stole the picture and took it to Italy where it was found in Florence several months later. It was immediately returned to the Louvre undamaged.

Due to the well-kept records of the Italians we have many clues as to who the Mona Lisa was and what exactly the background may be. This piece commemorates the attitude of the elite. Her mysterious smile, due to actual work or damage to the painting, shows the interest and curiosity of the artist about such subjects as the mysteries of the human spirit, of sensuality, and of things barely hinted at that fire the imagination. Her knowing expression and element of mystery, not only in the piece itself but in its general history, ensure it as a continually studied image. The Mona Lisa is, was and will be an immortal image in the minds of many generations.

Reference materials and endnotes available upon request.